Welcome to RonSexsmith.com
Sign in | Join | Help

Ron at the Olympics...Is it true?!

Last post Fri, Mar 19 2010, 5:07 PM by slim volume. 15 replies.
Page 1 of 2 (16 items)   1 2 Next >
Sort Posts: Previous Next
  •  Sun, Feb 14 2010, 3:37 AM 7932

    Ron at the Olympics...Is it true?!

    Hi Ron,
    I just heard that you'll be part of a Neil Young tribute at the Olympics this year! Yay!
    I didn't catch the details though. What day will it be?
    Planning to take a detour on the way back to Toronto, and visit Calgary? (please say yes!)
    Hope all is well.
    Cheers,
    Jen

    ...can't wait for the new album!!!

  •  Sun, Feb 14 2010, 6:25 PM 7943 in reply to 7932

    Re: Ron at the Olympics...Is it true?!

    Neil Young is already a winner at the 2010 Winter Olympics.

    No, the Canadian folk-rock hero hasn’t taken up the luge. Rather, a star-studded tribute next Thursday to his music will serve as the centrepiece of the Games’ Cultural Olympiad.

    Make that another star-studded tribute.

    The Neil Young Project is the second high-profile show in as many months dedicated to the Winnipeg-raised singer-songwriter’s work. It’s also the latest in a long line of tribute events organized by American music producer and Saturday Night Live musical director Hal Willner.

    “They asked me to do it two years ago,” says the 52-year-old Willner during a busy day in his New York office. “We had done a Neil Young Project in 2004, so I thought, why not. The material is really cool to work with.”

    And he means all of Young’s material. To program the event — which features more than 24 artists from Canada and the United States, including Lou Reed, Broken Social Scene, Ron Sexsmith, Iron and Wine and Teddy Thompson — Willner began by reacquainting himself with Shakey’s entire catalog.

    “The way I prefer to do it is to go listen to everything the composer has written,” says the veteran producer, who has also helmed tributes to Leonard Cohen (I’m Your Man), Kurt Weill (Lost in the Stars and September Songs) and others. “Then I put the show together just from the material. I want something that balances the well-known and unknown, and covers all styles and approaches.

    “After that, I start approaching artists that I think would be cool. Basically, I cast it like a movie. But the trick is to have a very well-thought-out, very tight script ahead of time.”

    It’s somewhat remarkable — and perhaps a testimony to the respect Willner commands — that the artists he casts are usually happy to check their egos and go along with his suggestions.

    “If somebody comes in and has a particular song that they’re attached to, we’ll try to fit it in, or take out something that was similar — or sometimes we try to talk them out of it. But that doesn’t happen very often.”

    Besides, surprises are welcome, he claims.

    “You never know what’s going to click or not. The worst thing that can happen is that you’ll see something that can never be repeated. And usually you can be guaranteed to see stuff that’s incredible and magic, and you’ll be talking forever about how you were there. Sure, there’s stuff that doesn’t work. But when it does, 90% of it is great.”

    Among the stuff Willner expects to work: Broken Social Scene, who will serve as one of two house bands; avant-garde guitarist James Blood Ulmer, who will team with Reed on “some good noise”; and Canadian troubadour Sexsmith, described by Willner as a “risk-taker (who) could have written some of these songs.”

    That’s high praise, Sexsmith says. But for him, just being invited is a bigger compliment.

    “Neil is part of that old guard,” he says. “There’s Leonard and Gordie and Joni and Neil. They’re four of the most influential songwriters in the world. Whenever I’m writing, it’s so daunting when you think of the history you’re up against. I’m always conscious of the work that they did, and I always try to walk in their footsteps.

    “I used to do a lot of Neil Young songs when I started out in the bars. I could play Neil all night and nobody could complain. That’s probably still the case.”

    It was last month in Los Angeles, when Young was honoured with a concert as MusiCares Person of the Year on Grammy Awards weekend. But Willner doesn’t feel he’s playing second fiddle to that event.

    “I didn’t even think about it,” he claims. “That was a superstar show. That’s not what we do. We’re the kooky people; we’re taking the material and trying to do something new with it. I’m not saying Neil purists will necessarily dislike the show. But we’re not going for them.”

    Another difference: Unlike the L.A. show, Young is not expected to be in attendance. “I would really doubt it,” Willner says, laughing.

    The Cultural Olympiad continues until March 20, with concerts by a wide range of artists including City and Colour, Feist, Billy Talent, K’Naan, Martha Wainwright, India.Arie and more.

  •  Wed, Feb 17 2010, 4:32 PM 7958 in reply to 7943

    Re: Ron at the Olympics...Is it true?!

    Hal Willner’s Neil Young Project

    Featuring Lou Reed, Ron Sexsmith, Joan as Policewoman and others

    When: Thursday and Friday, 8 p.m.

    Where: Queen Elizabeth Theatre, Hamilton Street at West Georgia

    Tickets: $74.50, $67.50, $59.00 at www.vancouver2010.com

    VANCOUVER — Like most singer-songwriters, Ron Sexsmith considers fellow Canadian Neil Young to be the consummate craftsman. And Sexsmith, himself rarely lost for lyrics, says he was playing Young’s tunes long before he ever crafted his own.

    “I used to play [his] songs when I was starting out, before I was writing my own songs,” he says. “I used to play the bars in my hometown [St. Catharines, Ont.]. And you can play Neil Young songs all night and no one will complain. He’s just got so many. I don’t know how many records he’s put out, probably around 50 by now. And he’s still very relevant.

    “It’s very inspiring.”

    Sexsmith, along with a large cast of musicians – including Lou Reed, members of Broken Social Scene and Joan as Policewoman – will, under the guidance of producer Hal Willner (also the longtime music supervisor on Saturday Night Live) be delving into Young’s massive catalogue for a two-night tribute that promises plenty of musical surprises.

    But Sexsmith isn’t making any promises when it comes to the song – or songs – he’ll be performing.

    Because he still hasn’t been told.

    “That happens a lot in this business,” he says. “But we do have a few days to rehearse before the actual show and I’m assuming before I head out there someone will send me [some songs]. And there’s quite a few more performers than when we did it last time, so maybe I only have to learn one song.”

    Sexsmith participated in a Hal Willner-led Young tribute in Brooklyn in 2004, where he performed Like a Hurricane and a few others he “never even heard before,” he says.

    So maybe Willner will assign him the same songs and Sexsmith won’t have to learn any new material. Regardless, he says, he’s happy to perform at a tribute to a living legend.

    “Neil, obviously … his catalogue looms large in rock-and-roll history,” he says. “I’ve been plugging away for years and I don’t have any songs that resonate that way. There was a time when you could be someone like Neil Young and be really uncompromising and yet still kind of break through and have songs on the radio.”

    The 64-year-old Young – who won his first Grammy this year for best art direction on a boxed or limited-edition package, and was named by Grammy producers as Musicares 2010 Person of the Year for his philanthropic work and broad musical influence – was present for a star-studded tribute in Los Angeles that took place the weekend of the awards show.

    So does Sexsmith expect to see the famous rocker with the heart of gold in the Vancouver crowd?

    “I can’t imagine he would come up to Vancouver to see it,” he says. “I’m sure he’s been invited. From what I’ve heard, he’s the kind of person, you know, that’s the last thing he wants to sit through. People throwing all this praise on him, it must be kind of uncomfortable.

    “But it would be exciting if he showed up.”

    Sure. Be nice, so to speak, to see the old man look at his life and lyrics.

  •  Wed, Feb 17 2010, 8:04 PM 7961 in reply to 7958

    • Ian
    • Top 10 Contributor
    • Joined on 05-15-2004
    • Ottawa, Ontario, CANADA
    • Posts 576

    Re: Ron at the Olympics...Is it true?!

    I have no doubt that one day there will be similar tribute concerts organized to pay tribute to Ron's incredible contribution to modern music!

     Cheers

    Ian 

     

     

     


    "Where's the crime in wastin' time with you?"
  •  Fri, Feb 19 2010, 1:51 PM 7975 in reply to 7961

    • Ian
    • Top 10 Contributor
    • Joined on 05-15-2004
    • Ottawa, Ontario, CANADA
    • Posts 576

    Re: Ron at the Olympics...Is it true?!

     sounded like an interesting evening!

    http://www.theprovince.com/Neil+Young+still+does+Young+best/2587357/story.html


    "Where's the crime in wastin' time with you?"
  •  Fri, Feb 19 2010, 4:40 PM 7978 in reply to 7975

    Re: Ron at the Olympics...Is it true?!

    GLOBE AND MAIL REVIEW

    Hal Willner's Neil Young Project, at the Queen Elizabeth Theatre in Vancouver on Thursday night

    It took three hours, but the crowd who packed the Queen Elizabeth Theatre in Vancouver for Hal Willner's Neil Young Project finally got on its feet. It happened at precisely 11:00 p.m. PST, after Elvis Costello rocked the house with Cowgirl in the Sand. Sure, those three hours included an intermission and the show started a bit late, but the point is, the Neil Young Project was missing something – and it wasn't just Neil Young (no, he didn't show). It had the elements: gifted musicians, fantastic performers, Young's catalogue. But the magic was simply missing.

    It's hard to know why. Was it the venue, more suited to opera than rock and roll? Was it the crowd, too middle-aged and comfortable in the cushy seats? Was everyone simply worn out from watching too much sports?

    The Neil Young Project is the brainchild of U.S. music producer Hal Willner. He's known for this sort of thing: gather big names (and not-so-big names), put them on-stage in various configurations and have them pay tribute to an iconic artist through music. Lou Reed was the show's original superstar attraction. Ron Sexsmith and members of Broken Social Scene were also big draws. Costello and Emily Haines and James Shaw of Metric were just announced this week (and thank goodness; one shudders to think what it would have been like without them). For the final bow, there were more than 30 artists on stage.

    What's hard to figure out is why the show failed overall when there were so many spectacular individual moments.

    Haines and Shaw gave a sparkly performance of A Man Needs a Maid (it was great to hear a woman sing it). The amazing Eric Mingus wowed the crowd first by delivering a gospel version of For the Turnstiles and later by turning On the Way Home into a spoken word gem. Reed did a phenomenal version of Helpless (he had us at “There is a town in North Ontario”). There was more: Jenni Muldaur's performance of Harvest, accompanied by Reed's guitar playing; Muldaur (man, she was good) joining Sexsmith for Star of Bethlehem; Teddy Thompson's gorgeous I Believe in You (yes, accompanied by Muldaur).

    But despite Joan as Policewoman's constant thrilling presence on violin and microphone, acting as a sort of M.C., and Julie Doiron's bouncy best efforts, the on-stage feel was often flat. Jason Collett's early attempts at cutting loose – he stood on a stool – felt just a little awkward and forced. For some reason, this format wasn't going to let him have a good time.

    There was little attempt to engage the audience and almost no banter, although Costello did wish the crowd a “Happy Olympics” and Collett did try to get things going. “Ladies and gentlemen, you've been sitting on your asses all night long,” he said. “You've been very well behaved. It's very Canadian of you.” He was being polite, but I don't think he meant it as a compliment. How Canadian of him.

    Somehow – let's call it years of experience, phenomenal talent, confidence and a genuine love for the music – Costello turned the night around in the last half-hour. After Cowgirl in the Sand there was a rocking version of Cinnamon Girl and then Costello and Reed were on stage together for F––-' Up – wow. The crowd stayed on its feet – right through to the somewhat forced (but still kind of lovely) sing-along ending of Only Love Can Break Your Heart.

    There were some minor logistical problems Thursday night: feedback, other sound issues, long pauses between songs, musicians starting with the wrong sheet music or on the wrong key, and a couple of rough performances by Vashti Bunyan (unfortunately one of them was After the Gold Rush – ruining what should have been a highlight of the show). But that was not the poison.

    The musical mishmash produced some phenomenal moments, but they weren't enough; they failed to fuse to make this the legendary night so many fans had hoped for when they fought their way through jubilant post-hockey crowds and into the theatre. (Was that the problem? High expectations?) The night began inexplicably with the theme song from Alfred Hitchcock's TV show. I don't think Willner meant it this way, but the Hitchcock, as it turned out, was a good fit. The Neil Young Project has produced a mystery: why did this show, with its great potential, fail to truly capture the audience? Kind of scary, too.

  •  Sat, Feb 20 2010, 12:13 AM 7981 in reply to 7978

    Re: Ron at the Olympics...Is it true?!

    Ron performed two songs Thursday night, "New Mama" and "Star of Bethlehem"
  •  Sun, Feb 28 2010, 10:12 PM 8018 in reply to 7981

    Re: Ron at the Olympics...Is it true?!

    Is there any way we can see these performances?!?!?
  •  Wed, Mar 03 2010, 7:24 PM 8026 in reply to 8018

    Re: Ron at the Olympics...Is it true?!

    Sorry to have missed this.... lucky for me I live close enough to the border to catch Ron next time he comes to B.C. (soon I hope).
  •  Thu, Mar 18 2010, 7:47 AM 8077 in reply to 8026

    Re: Ron at the Olympics...Is it true?!

    Click on 105 for "New Mama"

    Click on 212 for "Star of Bethlehem" (available 3/19)

     http://bigozine2.com/roio/?p=436

  •  Thu, Mar 18 2010, 9:39 AM 8078 in reply to 8077

    • Ian
    • Top 10 Contributor
    • Joined on 05-15-2004
    • Ottawa, Ontario, CANADA
    • Posts 576

    Re: Ron at the Olympics...Is it true?!

    THANKS Daryl!!!  Awesome!!!!
    "Where's the crime in wastin' time with you?"
  •  Thu, Mar 18 2010, 2:25 PM 8079 in reply to 8077

    Re: Ron at the Olympics...Is it true?!

    Daryll:

    Click on 105 for "New Mama"

    Click on 212 for "Star of Bethlehem" (available 3/19)

     http://bigozine2.com/roio/?p=436

    I'm with Ian, Daryll! Your generosity is a milestone of smiles!Big SmileSmileGeekedCoolThank you, Brother! Maria
    "Well, to find, not the meaning of life because I believe in mysteries, I believe that there is a mystery that goes far beyond our understanding." Paulo Coelho




  •  Thu, Mar 18 2010, 5:24 PM 8081 in reply to 8079

    Re: Ron at the Olympics...Is it true?!

    Daryl, amazing, thanks! For some reason they've de-linked 212, but "New Mama" gave me goosebumps...excellent performance from Ron and some great backup singers.
    I'm, like, on facebook & twitter
  •  Thu, Mar 18 2010, 5:40 PM 8082 in reply to 8081

    Re: Ron at the Olympics...Is it true?!

    Well, it was scheduled to play tomorrow, but, "New Mama", is available to listen to now and the music, Ron's voice, the poetic power of the song, and accompanying vocals, are true to the magnificent nature of the song.Yes

    Cheers, Maria

    Bonkers!Smile Daryll was right about disc 2 being available tomorrow and disc 1 today.Geeked  Still lovin' what I heard(New Mama) from disc 1!


    "Well, to find, not the meaning of life because I believe in mysteries, I believe that there is a mystery that goes far beyond our understanding." Paulo Coelho




  •  Fri, Mar 19 2010, 12:25 PM 8084 in reply to 8082

    Re: Ron at the Olympics...Is it true?!

    What an incredibly beautiful performance to an incredibly beautiful song!  I just listened to Ron and Jenni Muldaur sing, "Star of Bethlehem."  Ron's voice was gentle, strong, and just right to carry the sentiments that are not hidden and to rise or fall with them in a moving harmony with Jenni Muldaur.  The music sounded great and it took the song to such a sweet, innocent, hopeful, comforting, and powerful ending to the song.  Touched by the love of it.  Thank You.Music Maria 
    "Well, to find, not the meaning of life because I believe in mysteries, I believe that there is a mystery that goes far beyond our understanding." Paulo Coelho




Page 1 of 2 (16 items)   1 2 Next >
View as RSS news feed in XML